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			During July and August, George Adams Gallery will present a survey of paintings, drawings, and constructions by Roy DeForest and William T. Wiley, two prominent Bay Area artists whose distinct oeuvres have addressed similar narrative and personal mythologies over the last forty years. The exhibition, which presents an overview of the artist's careers to date, will include paintings, drawings and constructions by both artists ranging in date from 1960 up to the present. 
			 
			The earliest work in the show is an example of Wiley's early abstract expressionist style, Flag Song, painted in 1960.  Two of Wiley's constructions from the 1970s are also included in the show, the most elaborate of which is Hard Lesson for the Dunce (1977), which incorporates a tree stump, a carved wooden head, a spindly branch decorated with strung together metal lettering, and a chalkboard all accompanied by a watercolor of a dunce-capped log. In addition, there are several watercolors from the 1970s and two paintings, Modern Limits (1974) and I Visit Bob (1981) on display. 
			 
			Roy DeForest is represented by three large paintings, the earliest of which, A Bird in the Hand (1965), shows traces of DeForest's involvement with abstract expressionism. Two later paintings, A Slow Time in Arcadia (1977) and Who Knows Man or Beast (1979), on the other hand, represent DeForest's characteristically colorful and textured fantasies. For example, A Slow Time in Arcadia, from which the exhibition derives its title, depicts frolicking wolf dogs in a mountainous terrain painted in bright reds, oranges, yellows, and blues. Other works in the exhibition include a rare relief construction from 1964, two new constructions from 2002, as well as several drawings in elaborate hand-made frames. 
			 
			Exhibition Checklist 
			(clockwise from front desk) 
			 
			1. William T. Wiley 
			Embers,1976 
			watercolor and ink on paper 
			30 1/2 x 22 1/2 inches 
			WTWd 13 
			 
			2. Roy DeForest 
			Off the Patagonian Coast, 1962 
			mixed media, canvas, rope 
			30 x 30 x 6 inches 
			RDs 05 
			 
			3. Roy DeForest 
			Texas, 2002 
			acrylic, mixed media, on masonite 
			44 x 39 x 10 1/2 inches 
			RDs 7 
			 
			4. Roy DeForest 
			Who Knows, Man or Beast, 1979 
			varnished  acrylic polymer on canvas 
			73 x 84 1/2 inches 
			RDp 21 
			 
			5. William T. Wiley 
			Hard Lesson for the Dunce, 1977 
			watercolor with mixed media construction 
			34 x 28 inches, dimensions variable 
			WTWs 3 
			 
			6. William T. Wiley 
			Modern Limits, 1974-75 
			acrylic on canvas 
			64 x 86 inches 
			WTWp 11 
			 
			7. William T. Wiley 
			Flag Song, 1959 
			oil on canvas 
			61 1/2 x 65 1/2 inches 
			WTWp 05 
			 
			8. William T. Wiley 
			Certain Things No One Can Teach You, 1973 
			watercolor/mixed media on paper 
			22 1/4 x 33 inches 
			WTWd 12 
			 
			9. William T. Wiley 
			Portrait of Bah!, 1971 
			watercolor and ink on paper with 
			mixed media constructions 
			30 1/2 x 23 inches; 11 1/2 x 23 1/2 inches; 
			45 x 6 inches 
			WTWd 15 
			 
			10. William T. Wiley 
			I Visit Bob, 1981 
			acrylic and charcoal on canvas 
			43 x 45 inches 
			WTWp 10 
			 
			11. Roy DeForest 
			A Slow Time in Arcadia, 1977 
			acrylic polymer on canvas 
			60 x 72 inches 
			RDp 22 
			 
			12. Roy DeForest 
			A Bird in the Hand, 1965 
			polymer on canvas 
			72 x 60 inches 
			RDp 19 
			13. William T. Wiley 
			Thanking the Void 
			1979 
			acrylic, charcoal on canvas 
			27 x 42 inches 
			WTWp 12 
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