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Peter Saul: Pop to Politics was reviewed in this weekend's LA Times, courtesy of Christopher Knight. His description of Saul's early paintings and drawings runs the gamut of art-historical references: "...Max Beckmann collides with jingoist all-American Thomas Hart Benton within an abstract structural armature of Willem de Kooning, all slathered with a cheeky overlay of Mad Magazine irreverence."

Peter Saul: Pop to Politics is on view at the CB1 guest space through February 18th.

The full article can be read here.