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BORN:
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| Beziers, France 1952
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| LIVES:
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| Peekskill, New York
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| EDUCATION:
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| École des Beaux-Arts, Montpellier, France
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| École National Supérieure des Arts Décoratifs, Nice, France
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| SOLO EXHIBITIONS:
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| “New Paintings,” George Adams Gallery, New York, NY, 2011.
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| “Watercolors,” George Adams Gallery, New York, NY, 2010.
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| “Watercolors,” James Cummins Fine Art, New York, NY, 1996.
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| “Watercolors,” James Cummins Fine Art, New York, NY, 1994.
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| “Puss in Boots,” the Pierpont Morgan Library, New York, NY, 1992.
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| “Nutcracker Designs,” Fort Worth Art Museum, Fort Worth, TX, 1985.
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| “Watercolors,” Gallery at Booksmith, Boston, MA, 1982.
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| “New Paintings,” Galerie L’estuaire, Honfleur, France, 1980.
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| SELECTED GROUP EXHIBITIONS:
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| “Artists’ Ink,” George Adams Gallery, New York, NY, 2012.
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| “Co-op,” Casola Gallery, Peekskill, NY, 2003.
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| “Masterpieces of Make-Believe,” deCordova Museum, Lincoln, MA, 1997.
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| “The Art of Enchantment,” The Norman Rockwell Museum, The Art Institute of
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| Chicago, The Santa Fe Art Museum, 1995.
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| “Novembre à Vitry,” Foyer Cultural Municipal, Vitry, France, 1980.
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| BOOKS:
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| The Princess and the Pea, adaptation and illustrations, Little, Brown and Company, 2001
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| 29, Bump Street, story and illustrations, Turner Publishing, 1996
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| Reynard the Fox, adaptation and illustrations, Turner Publishing, 1994
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| Puss in Boots, by Lincoln Kirstein, illustrations, Little, Brown and Company, 1992
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| Sarah et Les Ours by Philippe Djian, illustrations, Nouvel Observateur, 1992
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| The Wild Hamster, story and illustrations, Little, Brown and Company, 1985
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| The Steadfast Tin Soldier, adaptation and illustrations, Little, Brown and Company, 1983
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| The Porcelain Pepper Pot, story and illustrations, Little, Brown and Company, 1982
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| SCENIC AND COSTUME DESIGN:
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| The Nutcracker, sets and costumes
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| Choreography by Ron Cunningham
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| Sacramento Ballet, 2003
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| The Nutcracker, sets
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| Choreography by George Balanchine
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| Stamford Center for the Arts, 2001
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| The Nutcracker, sets and costumes
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| Choreography by Val Caniparoli
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| Cincinnatti Ballet, 2001
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| Cinderella, sets
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| Choreography by Jean-Pierre Bonnefoux
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| North Carolina Dance Theater, 2001
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| Morgen, sets and costumes
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| Choreography by Peter Martins
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| New York City Ballet, 2001
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| Harmonielehre, sets and costumes
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| Choreography by Peter Martins
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| New York City Ballet, 2000
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| Them Twos, costumes
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| Choreography by Peter Martins
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| New York City Ballet, 2000
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| Variations on a Nursery Song, sets and costumes
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| Choreography by Richard Tanner
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| New York City Ballet, 1999
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| Stabat Mater, sets and costumes
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| Choreography by Peter Martins
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| New York City Ballet, 1998
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| A Mass, sets
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| Choreography by Peter Martins and Robert La Fosse
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| New York City Ballet, 1990
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| Les Gentilhommes, costumes
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| Choreography by Peter Martins
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| New York City Ballet, 1988
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| The Waltz Project, sets and costumes
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| Choreography by Peter Martins
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| New York City Ballet, 1988
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| Set of Seven, costumes
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| Choreography by Violette Verdy
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| New York City Ballet, 1988
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| La Sonnambula, sets and costumes
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| Choreography by George Balanchine
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| New York City Ballet, 1987
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| Don Quixote, sets
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| Choreography by Rudolph Nureyev
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| Ballet de Flandres, 1987
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| Pas de Deux, costumes
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| Choreography by Peter Martins
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| School of American Ballet, 1987
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| Bournonville Divertissements, sets
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| Choreography by Auguste Bournonville
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| New York City Ballet, 1987
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| Swan Lake, sets and costumes
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| Choreography by George Balanchine
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| New York City Ballet, 1986
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| Songs of the Auvergne, sets and costumes
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| Choreography by Peter Martins
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| New York City Ballet, 1986
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| The Nutcracker, sets and costumes
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| Choreography by Michel Rahn
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| Fort Worth Ballet, 1985
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| Shadows, sets and costumes
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| Choreography by Jean-Pierre Bonnefoux
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| New York City Ballet, 1985
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| Romeo and Juliet, sets and costumes
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| Choreography by Choo San Goh
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| Boston Ballet, 1984
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| Menage à Quatre, sets
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| Choreography by Jen-Pierre Bonnefoux
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| Pennsylvania Ballet, 1984
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| Jeu de Cartes, sets
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| Choreography by Ron Cunningham
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| Boston Ballet, 1983
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| Film Frolics, sets
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| Choreography by Clyde Nantais
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| Boston Conservatory of Music, 1982
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| Bach: Suite #3, sets
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| Choreography by Violette Verdy
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| Boston Ballet, 1982
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